Vision Anew: The Lens and Screen Arts

Thông tin sách: Vision Anew: The Lens and Screen Arts (Hardcover, 312 trang) – University of California Press, 2015. Ngôn ngữ: Tiếng Anh.

The ubiquity of digital images has profoundly changed the responsibilities and capabilities of anyone and everyone who uses them. Thanks to a range of innovations, from the convergence of moving and still image in the latest DSLR cameras to the growing potential of interactive and online photographic work, the lens and screen have emerged as central tools for many artists. Vision Anew brings together a diverse selection of texts by practitioners, critics, and scholars to explore the evolving nature of the lens-based arts. Presenting essays on photography and the moving image alongside engaging interviews with artists and filmmakers, Vision Anew offers an inspired assessment of the medium’s ongoing importance in the digital era. Contributors include Ai Weiwei, Gerry Badger, David Campany, Lev Manovich, Christian Marclay, László Moholy-Nagy, Walter Murch, Trevor Paglen, Pipilotti Rist, Shelly Silver, Rebecca Solnit, and Alec Soth, among others. This vital collection is essential reading for artists, educators, scholars, critics, and curators, and anyone who is passionate about the lens-based arts. From the Back Cover “A valuable, timely, and stimulating collection.”―Geoff Dyer, author of The Ongoing Moment

“Vision Anew is a remarkable compendium of important artists, practitioners, theorists, and essayists, who muse on what constitutes creativity in the lens and screen arts today. The book reveals how the intersection of a mobile Internet with photography and video has radically changed what we expect from the witnessing camera. I think this book is destined to be essential reading for all those thinking about the future of our visual culture.”―Mark Lubell, Executive Director, International Center of Photography

“Brings together prophetic historic texts with the best of recent thinking to create an essential reader. This book provides a critical framework that genuinely supports a creative life in photography; its pluralism in the range of ideas and voices speaks out for what is new and what is enduring in the vital dynamics of photographic culture.”―Charlotte Cotton, author of The Photograph as Contemporary Art About the Author Adam Bell is a photographer and writer. Coeditor of The Education of a Photographer, he has written for numerous publications, including Afterimage, The Brooklyn Rail, The Art Book Review,FOAM Magazine, photo-eye, and Paper Journal. He is currently on staff and faculty in the MFA Photography, Video, and Related Media Department, School of Visual Arts.

Charles H. Traub is chair of the MFA Photography, Video, and Related Media Department, School of Visual Arts, and president of the Aaron Siskind Foundation. His many books include Dolce Via: Italy in the 80s, The Education of a Photographer, and In the Realm of the Circuit, and his writings have been published in Connoisseur, Fortune, Newsweek, Aperture, U.S. News & World Report, Afterimage, Popular Photography, American Photographer, and The New Yorker.