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Follow authors to get new release updates, plus improved recommendations. Dassia N. Posner is a theatre historian specializing in Russian theatre, the history of directing, dramaturgy, and puppetry. She is an Associate Professor of Theatre at Northwestern University. Read more about this author Read less about this author Read more about this author Read less about this author Magda Romanska is a writer, dramaturg and theatre, performance and media scholar. She is a Professor of Theatre and Dramaturgy at Emerson College in Boston, MA, a Principal at Harvard metaLAB and Chair of the Transmedia Arts seminar at Harvard University’s Mahindra Humanities Center, where she curates a series of lectures on transmedia arts. She serves on the advisory board of DigitalTheatre+ and is a member of Leonardo, the International Society for the Arts, Sciences, and Technology. At Harvard, she is also a Research Associate at the Center for European Studies and at the Davis Center for Russian and Eurasian Studies. Personal website: http://www.magdaromanska.com/ Read more about this author Read less about this author Read more about this author Read less about this author
ReviewIt is not overstating the case to say that this volume will for sure be the book of reference for students, scholars, and dramaturgs in the fields named above if it comes to questions of dramaturgy. - Journal of Contemporary Drama in EnglishThe Routledge Companion to Dramaturgy honours the diverse and varied nature of dramaturgical practice. ... The range of this book is, as stated, quite extensive: its depth is impressive. ... It is a singular, vital, and necessary contribution to the field. - Platform: Postgraduate Journal of Theatre ArtsIt is an indispensable resource for anyone serious aboutdramaturgy.-Contemporary Theatre ReviewWith eighty-five essays, The Routledge Companion to Dramaturgy offers comprehensive coverageof dramaturgical theory and practice. The wide range of essays emphasizesversatility and adaptability and the continuing relevance of analyticalresearch processes in professional theatre and education.- Theatre Survey The book offers an impressive range of voicesand insights into dramaturgical practice ... It certainly serves its purposeas a primary sourcebook. -Theatre Research International
Thông tin sách: The Routledge Companion to Dramaturgy (Kindle, 568 trang) – Routledge, 2015. Ngôn ngữ: Tiếng Anh.
Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics.
In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist.
This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes.
The contributions survey the field through eight main lenses:
Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor(2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).
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