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Tác giả: William Shakespeare, Stephen Greenblatt, Walter Cohen, Jean E. Howard
NXB: W W Norton & Co Inc
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Follow authors to get new release updates, plus improved recommendations. William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's preeminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare was born in Stratford-upon-Avon in Warwickshire and was baptised on 26 April 1564. Thought to have been educated at the local grammar school, he married Anne Hathaway, with whom he went on to have three children, at the age of eighteen, before moving to London to work in the theatre. Two erotic poems, Venus and Adonis and The Rape of Lucrece were published in 1593 and 1594 and records of his plays begin to appear in 1594 for Richard III and the three parts of Henry VI. Shakespeare's tragic period lasted from around 1600 to 1608, during which period he wrote plays including Hamlet and Othello. The first editions of the sonnets were published in 1609 but evidence suggests that Shakespeare had been writing them for years for a private readership. Shakespeare spent the last five years of his life in Stratford, by now a wealthy man. He died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623. (The portrait details: The Chandos portrait, artist and authenticity unconfirmed. NPG1, © National Portrait Gallery, London) Read more about this author Read less about this author Read more about this author Read less about this author Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. General Editor of The Norton Anthology of English Literature and The Norton Shakespeare, he is also the author of thirteen books, including The Rise and Fall of Adam and Eve; The Swerve: How the World Became Modern; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Practicing New Historicism; Marvelous Possessions: The Wonder of the New World; and Learning to Curse: Essays in Early Modern Culture. He has edited six collections of criticism, is the co-author (with Charles Mee) of a play, Cardenio, and is a founding coeditor of the journal Representations. He was named the 2016 Holberg Prize Laureate. Additional honors include the MLA's James Russell Lowell Prize, for Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, the Distinguished Humanist Award from the Mellon Foundation, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and has been elected to membership in the American Academy of Arts and Sciences, the American Academy of Arts and Letters, and the American Philosophical Society. Read more about this author Read less about this author Read more about this author Read less about this author Additional authors: Katharine Eisaman Maus, William Shakespeare and 1 more William Shakespeare author Stephen Greenblatt author Katharine Eisaman Maus author William Shakespeare author Andrew Gurr author
About the AuthorStephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. A leading scholar of English Renaissance literature, he serves as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including Dark Renaissance and the Pulitzer Prize– and National Book Award–winning The Swerve.Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present.Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy.Katharine Eisaman Maus (Ph.D. Johns Hopkins), The Early Seventeenth Century, is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare, Inwardness and Theater in the English Renaissance, and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of The Norton Shakespeare, English Renaissance Drama: A Norton Anthology, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.
Thông tin sách: The Norton Shakespeare (Hardcover, 3419 trang) – W W Norton & Co Inc, 2008. Ngôn ngữ: Tiếng Anh.
Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the modern reader closer than before possible to Shakespeare's plays as they were first acted. Now, under Stephen Greenblatt's direction, the editors have considered afresh each introduction and all of the apparatus to make the Second Edition an even better teaching tool.Giá bán
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