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Follow authors to get new release updates, plus improved recommendations. Eve Ensler is a Tony award winning playwright, performer and activist. She is the author of international phenomenon, The Vagina Monologues, which won an Obie and has been published in 48 languages and performed in over 140 countries. Eve wrote the New York Times Bestseller, I Am An Emotional Creature: The Secret Life Of Girls Around The World. She then adapted it as a play which ran to critical acclaim in South Africa, Paris, Berkeley and Off-Broadway. She is the founder of V-Day, the global movement to end violence against women and girls, which has raised over 100 million dollars for grassroots organizations around the world. On V-Day's 15th Anniversary, it launched it's most ambitious campaign One Billion Rising which inspired one billion people in 207 countries to Strike Dance and Rise on Feb 14, 2013 for the freedom, safety and equality of women. With the women of Congo, V-Day opened and supports City of Joy in Bukavu, Congo, a revolutionary center where survivors of gender violence Turn Their Pain to Power. Eve starred in the HBO version of The Vagina Monologues. Her play Here was filmed live by Sky Television in London, UK. She co-produced the documentary What I Want My Words to You which won the Freedom of Expression Award at Sundance. Her other plays include Necessary Targets, The Treatment and The Good Body, which she performed on Broadway, followed by a national tour. In 2006, Eve released her book, Insecure At Last: A Political Memoir, and co-edited A Memory, A Monologue, A Rant and a Prayer. Her newest book In The Body of the World will be published by Holt. Ensler lives in the world. Read more about this author Read less about this author Read more about this author Read less about this author
ReviewPraise for Eve Ensler:“Eve Ensler can soar to Rabelaisian heights or move us with quiet compassion. . . . She may not save the world, but what other playwrights even think of trying?”–TimeAcclaim for The Vagina Monologues“Spellbinding, funny, and almost unbearably moving . . . It is both a work of art and an incisive piece of cultural history, a poem and a polemic, a performance and a balm and a benediction.” –Variety“The monologues are part of Eve Ensler’s crusade to wipe out the shame and embarrassment that many women still associate with their bodies or their sexuality. [They] are both a celebration of women’s sexuality and a condemnation of its violation.”–The New York Times“Women have entrusted Eve with their most intimate experiences. . . . I think readers, men as well as women, will emerge from these pages feeling more free within themselves–and about each other.”–GLORIA STEINEM
Praise for Eve Ensler:Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a "good body.""In the 1950s," Eve writes, girls were "pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don't eat too much. They . . . don't eat at all. They stay perfect. They stay thin. I could never be good."The Good Body starts with Eve's tortured relationship with her own "post-forties" stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the "flabby badness" out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating "spread," a stubborn layer of fat that she calls "a second pair of thighs." The wife of a plastic surgeon recounts being systematically reconstructed–inch by inch–by her "perfectionist" husband. An aging magazine executive, still haunted by her mother's long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups.Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature's diversity; an Indian woman who transcends "treadmill mania" and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve's global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the "good bodies" we inhabit.
Thông tin sách: The Good Body (Kindle, 112 trang) – Villard, 2004. Ngôn ngữ: Tiếng Anh.
Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a “good body.” “In the 1950s,” Eve writes, girls were “pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don’t eat too much. They . . . don’t eat at all. They stay perfect. They stay thin. I could never be good.”The Good Body starts with Eve’s tortured relationship with her own “post-forties” stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the “flabby badness” out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating “spread,” a stubborn layer of fat that she calls “a second pair of thighs.” The wife of a plastic surgeon recounts being systematically reconstructed–inch by inch–by her “perfectionist” husband. An aging magazine executive, still haunted by her mother’s long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups.Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature’s diversity; an Indian woman who transcends “treadmill mania” and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve’s global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the “good bodies” we inhabit.Giá bán
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