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Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art
Tác giả: Sarah Blick, Laura Gelfand
NXB: Brill
Chi tiết sản phẩm
- #13,061,891 in Books
- #42,758 in Art History
- #152,420 in European History
Về tác giả — Sarah Blick
Follow authors to get new release updates, plus improved recommendations. Laura D. Gelfand is Professor of Art History in the Department of Art + Design at Utah State University where she has been on the faculty since 2011. For many years her research has examined the ways in which contemporary devotional practices may have influenced the art and architecture of Northern Europe from 1400-1520. She has published widely on topics including devotional portrait diptychs, the patronage of Margaret of Austria, Nicolas Rolin’s commissions and his social (im)mobility, and architectural copies of the Holy Sepulcher as “sensory simulacra.” More recently her research has taken an "animal turn," which resulted in the 2016 book, Our Dogs, Our Selves: Dogs in Medieval and Early Modern Art, Literature, and Society (Brill). From this it was just a hop, skip, and a jump to wolves. the focus of her current research. Gelfand recently returned from eight blissful months in York, England where she was able to engage in full-time research on the historic demonization of wolves in England and elsewhere while serving as a Fulbright Fellow in the Department of the History of Art at the University of York. Gelfand lives in Logan, Utah with a magnificent Belgian Sheepdog named Mirabelle Barksalot. Read more about this author Read less about this author Read more about this author Read less about this author
Đánh giá từ chuyên gia
Review‘’The articles in this anthology represent both well-worn and novel ideas that the authors put to the test in their studies. The variety of subjects and methodologies, as well as each contributor’s conclusions, creates a nicely inclusive model of scholarly inquiry. As such, the project is an excellent example of the types of collaborative scholarship many are now turning to in an attempt to build a more complex understanding of the late middle ages and the early modern period. The matrix assembled here is rich and interesting, and Push Me, Pull You is a welcome addition to the ongoing discourse on lay piety and the role of devotional images, spaces, and objects in late medieval and early modern Europe.’’John R. Decker, Georgia State University. In: Renaissance Quarterly, Vol. 66, No. 2, Summer 2013, p. 604.
About the AuthorSarah Blick, Ph.D. (1994) in Art History, University of Kansas, is Professor of Art History at Kenyon College. Her research focuses on medieval pilgrimage art and English parish churches. She is editor-in-chief of Peregrinations: Journal of Medieval Art and Architecture.Laura D. Gelfand, Ph.D. (1994) in Art History, Case Western Reserve University, is Professor of Art History at The University of Akron. She has published widely on the art and architecture of the Northern Renaissance with a particular focus on reception.
Mô tả nội dung sách Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art - Sarah Blick
Thông tin sách: Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art (Hardcover, 728 trang) – Brill, 2011. Ngôn ngữ: Tiếng Anh.
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.Giá bán
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