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Ficino and Fantasy: Imagination in Renaissance Art and Theory from Botticelli to Michelangelo (Aries Book Series, 29)
Tác giả: Marieke J.E. van den Doel
NXB: Brill
Chi tiết sản phẩm
- #11,335,263 in Books
- #10,809 in Art Movements
- #38,800 in Art History
- #53,553 in Cultural & Ethnic Studies
Về tác giả — Marieke J.E. van den Doel
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Review"[This book] is beautifully designed and stunningly illustrated with 103 high-quality color images. Its merit resides in bringing a revered topic of Renaissance culture back to the forefront of scholarship and suggesting new possible ways to interpret it, alongside the reinterpretation of famous works." -Francesca Fiorani, University of Virginia, USA, in Renaissance Quarterly 78.3
About the AuthorMarieke J.E. van den Doel is Assistant Professor of History of Humanism at the University of Humanistic Studies in Utrecht. Previously, she was Director of Studies in Art History at the Royal Netherlands Institute in Rome (KNIR) and Curator of Exhibitions at Allard Pierson Museum, Amsterdam.
Mô tả nội dung sách Ficino and Fantasy: Imagination in Renaissance Art and Theory from Botticelli to Michelangelo (Aries Book Series, 29) - Marieke J.E. van den Doel
Thông tin sách: Ficino and Fantasy: Imagination in Renaissance Art and Theory from Botticelli to Michelangelo (Aries Book Series, 29) (Hardcover, 392 trang) – Brill, 2021. Ngôn ngữ: Tiếng Anh.
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.Giá bán
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