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Follow authors to get new release updates, plus improved recommendations. Thom Holmes is an author, music historian, and book editor living in New York City. Holmes studied composition with Paul Epstein at Temple University and was a member of Epstein’s improvisation group in the early 1970s. He was the publisher and editor of the magazine Recordings of Experimental Music from 1979 to 1985. Working with John Cage, Holmes created and maintained the only discography of Cage’s music authorized by the composer. His experience in composing electronic music began with tape composition when he was a teenager, extended to real-time performance works on the Moog Modular synthesizer and currently encompasses works created using software synthesis. A student of contemporary music history, he has written books about the history of electronic music, jazz, rock, classical music and music technology. Holmes is also a recreational paleontologist and science author of more than 20 books about evolution, dinosaurs, and other prehistoric life. Thom Holmes has also published books under the name, Thomas B. Holmes. Read more about this author Read less about this author Read more about this author Read less about this author
Review"Electronic and Experimental Music: Technology, Music, and Culture is one of the most comprehensive and up-to-date references for teaching experimental computer music. This work provides an incisive overview of the field, to understand the history and current practice of computer music."―Terence M. Pender, Associate Director, Computer Music Center, Columbia University
""Electronic and Experimental Music: Technology, Music, and Culture is one of the most comprehensive and up-to-date references for teaching experimental computer music. This work provides an incisive overview of the field, to understand the history and current practice of computer music."
Thông tin sách: Electronic and Experimental Music (Hardcover, 672 trang) – Routledge, 2020. Ngôn ngữ: Tiếng Anh.
Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music―from its historical beginnings in the late nineteenth century to its everchanging present―recounting the musical ideas that arose in parallel with technological progress. In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices. This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western.
New to this edition:
Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills. Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.
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