
Lưu ý: Hình bìa chỉ mang tính minh họa — không phải ảnh sách thực tế. Nội dung và bản quyền sách được đảm bảo chính hãng từ nhà xuất bản. Chợ Sách chỉ cam kết sách do người bán cung cấp là sách chính hãng; khiếu nại về bìa khác hình minh họa sẽ được xem xét từng trường hợp.
Tác giả: Anne McLaren
NXB: Brill
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Review"Anne McLaren has given us an extremely well-researched, extensive, and stimulating study of early Chinese "tell-and-sing" literature." – Vibeke Børdahl, in: Asian Folklore Studies, 1999"…this is a wide-ranging volume containing a wealth of detail and insight on the changing and complex practice of reading, performance, writing and ritualizing storytelling in Ming China." – Louise Edwards, in: Journal of the Oriental Society of Australia, 1998"…a contribution of great merit that will have a significant impact upon the study of Chinese popular culture … McLaren's Popular Culture and Ming Chantefables is a good example of how studies on archaeologically and archivally recovered materials are not only reshaping but completely transforming our understanding of the nature and development of Chinese civilization." – Victor Mair, in: T'oung Pao, 2000"…a book of excellent scholarship on an extremely important topic." – Liangyan Ge, in: China Review International, 2000"In general, McLaren's book displays its author's impressively wide range of knowledge and is a great contribution to studies of popular culture in late imperial China. I warmly recommend this book to anyone in the field." – Shuhui Yang, in: Journal of the American Oriental Society, 2000
About the AuthorAnne E. Mclaren, Ph.D. in Chinese liturature, Australian National University, is Senior Lecturer and Head, Chinese program, at La Trobe University, Melbourne. She has published extensively in the field of Ming popular narratives, including The Chinese Femme-fatale (University of Sydney, 1994).
Thông tin sách: Chinese Popular Culture and Ming Chantefables (Sinica Leidensia, 41) (Chinese Edition) (Paperback, 364 trang) – Brill, 1998. Ngôn ngữ: Tiếng Anh.
In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the beginning of a profound historical shift which resulted in a broadening of the uses of writing and printing in China. These texts are now generally seen to occupy an important place in the development of Chinese literature as a whole, and of Chinese vernacular literature in particular.In the first monographic treatment of all the chantefable corpus in English the author, by examination from a more anthropological view, points out that these 'oral traditional texts' can only be appreciated in the festival, ritual and performative context of their derivation and reception. Topics dealt with in this important work include the popular interpretation of Confucian orthodoxies, the literary recycling of the oral tradition, and the influence of chantefables on the development of Chinese vernacular fiction.The author offers interesting comparative perspective on the different social consequences of print technology in China and the West.Illustrations of ten chantefable woodblocks are included.Giá bán
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