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Tác giả: Annegret Fauser
Chi tiết sản phẩm
Follow authors to get new release updates, plus improved recommendations. Annegret Fauser is a cultural musicologist whose work emphasizes how music intersects with its social, political, and artistic contexts. Her research focuses on music of the nineteenth and twentieth centuries, and in particularly that of France and the United States. She has published on French song and opera, women composers, exoticism, nationalism, reception history, and cultural transfer. Her books have been recognized by major awards, including the Ruth A. Solie Award and the Music in American Culture Award of the American Musicological Society and an ASCAP Deems Taylor/Virgil Thomson Award. For her substantial body of distinguished and important work she was awarded the 2011 Edward J. Dent Medal of the Royal Musical Association. Annegret Fauser teaches at the University of North Carolina at Chapel Hill where she is currently Cary C. Boshamer Distinguished Professor of Music. She is also affiliated with the Department of Women and Gender Studies. She was born in Germany, lived in Ghana and Germany, and studied musicology, art history, and philosophy at the Rheinische Friedrich-Wilhelms Universität in Bonn, the Ecole Normale Supérieure in Paris, and the Université Paris IV–Sorbonne. She received her PhD at the University of Bonn in 1992. Before becoming a member of the faculty at UNC, she taught musicology at the Université François Rabelais in Tours, the Folkwang Hochschule in Essen, the Humboldt Universität zu Berlin, and City University, London. Read more about this author Read less about this author Read more about this author Read less about this author
Review"Annegret Fauser gets to the beating heart of Appalachian Spring. Here is an eye-opening account of how Copland's 'Ballet for Martha' emerged as a work of pure modernism, and why it continues to absorb, reflect, and withstand the ongoing conversation of what America is or should be." - Janet Eilber, Artistic Director of the Martha Graham Dance Company
About the AuthorAnnegret Fauser is Cary C. Boshamer Distinguished Professor of Music at UNC Chapel Hill. Her research focuses on music of the nineteenth and twentieth centuries. Her recent book, Sounds of War: Music in the United States during World War II (OUP, 2013), was awarded both the Music in American Culture Award of the American Musicological Society and an ASCAP Deems Taylor Award.
Thông tin sách: Aaron Copland's Appalachian Spring (Oxford Keynotes) (Kindle, 152 trang) – Oxford University Press, 2017. Ngôn ngữ: Tiếng Anh.
Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. In the years since its premiere-as a dance work at the Library of Congress in 1944-it has become one of Copland's most widely performed scores, and the Martha Graham Dance Company still treats it as a signature work. Over the decades, the dance and the music have taken on a range of meanings that have transformed a wartime production into a seemingly timeless expression of American identity, both musically and visually. In this Oxford Keynotes volume, distinguished musicologist Annegret Fauser follows the work from its inception in the midst of World War II to its intersections with contemporary American culture, whether in the form of choreographic reinterpretations or musical ones, as by John Williams, in 2009, for the inauguration of President Barack Obama.A concise and lively introduction to the history of the work, its realization on stage, and its transformations over time, this volume combines deep archival research and cultural interpretations to recount the creation of Appalachian Spring as a collaboration between three creative giants of twentieth-century American art: Graham, Copland, and Isamu Noguchi. Building on past and current scholarship, Fauser critiques the myths that remain associated with the work and its history, including Copland's famous disclaimer that Appalachian Spring had nothing to do with the eponymous Southern mountain region. This simultaneous endeavor in both dance and music studies presents an incisive exploration this work, situating it in various contexts of collaborative and individual creation.Giá bán
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